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			<title>Joe Fonda RSS feed</title>
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			<copyright>Joe Fonda 2006</copyright>
			<ttl>120</ttl><item>
        <title>Powers - review by Bruce Lee Gallanter</title>
        <description><![CDATA[ <p>By Bruce Lee Gallanter, published: <span class="body"><span class="big">January 4, 2013</span></span>
</p>
<p>This has been a great year for our pal and guitar great Anders Nilsson. First there was the much anticipated Kalabalik disc with Raoul Bjorkenheim &amp; Gerald Cleaver on our own DMG/ARC label.</p> ]]></description>
        <pubDate>Sat, 13 Apr 2013 21:26:31 -0400</pubDate>
        <guid isPermaLink="false">http://www.joefonda.com/powers-review-by-bruce-lee-gallanter</guid>
</item><item>
        <title>Powers - review by Eyal Hareuveni</title>
        <description><![CDATA[ <p>By Eyal Hareuveni, published: March 19, 2013
</p>
<p>This collective trio teams American bass master Joe Fonda, known for his collaborations with innovative musicians and composers such as saxophonist Anthony Braxton, trumpeter Wadada Leo Smith and pianist Carla Bley, with Swedish brothers a generation younger than Fonda&md</p> ]]></description>
        <pubDate>Sat, 13 Apr 2013 21:03:41 -0400</pubDate>
        <guid isPermaLink="false">http://www.joefonda.com/powers-review-by-eyal-hareuveni</guid>
</item><item>
        <title>Review by Troy Collins</title>
        <description><![CDATA[ <p>Published February 18, 2013</p>
<p>Drummer Barry Altschul is widely revered for his innovative work 
during the 1970s with the all-star quartet Circle and as a member of the
 influential trios of pianist Paul Bley and multi-instrumentalist Sam Rivers.
 Despite his avant-garde credentials, Altschul's purview also included </p> ]]></description>
        <pubDate>Sat, 23 Mar 2013 00:29:24 -0400</pubDate>
        <guid isPermaLink="false">http://www.joefonda.com/review-by-troy-collins</guid>
</item><item>
        <title>Review by S. Victor Aaron</title>
        <description><![CDATA[ <p>Published February 11, 2013</p>
<p>Paul Motian&rsquo;s death in late 2011 was a big loss, to be certain, but the still-vibrant 70-year-old Barry Altschul has for four decades demonstrated mastery over the finer points of jazz drumming, using its full range not just as a time keeping device but as a richly tonal instrument.</p> ]]></description>
        <pubDate>Thu, 28 Feb 2013 20:09:22 -0500</pubDate>
        <guid isPermaLink="false">http://www.joefonda.com/review-by-s.-victor-aaron</guid>
</item><item>
        <title>Relentlessness (Live at the Sunset) - review by Robert Iannapollo</title>
        <description><![CDATA[ <p><strong>The Nu Band - Relentlessness (Live at the Sunset)</strong></p>
<p>Multiple Review by Robert Iannapollo for New York City Jazz Record, No.117, January 2012</p>
<p>
Trio + 2 The Fonda/Stevens Group (Not Two)<br />
<strong>Restlessness (Live at The Sunset) The Nu Band (Marge)</strong><br />
History of Jazz in Revers</p> ]]></description>
        <pubDate>Wed, 07 Nov 2012 18:21:28 -0500</pubDate>
        <guid isPermaLink="false">http://www.joefonda.com/relentlessness-live-at-the-sunset-review-by-robert-iannapollo</guid>
</item><item>
        <title>Trio+2 Live in Katowice - review by Robert Iannapollo</title>
        <description><![CDATA[ <p><strong>Trio+2 - Live in Katowice</strong></p>
<p>Multiple review by Robert Iannapollo for New York City Jazz Record, No.117, January 2012</p>
<p>
<strong>Trio + 2 The Fonda/Stevens Group (Not Two)</strong><br />
Restlessness (Live at The Sunset) The Nu Band (Marge)<br />
History of Jazz in Reverse FAB Trio (TUM)
</p>
 ]]></description>
        <pubDate>Wed, 07 Nov 2012 18:21:00 -0500</pubDate>
        <guid isPermaLink="false">http://www.joefonda.com/trio2-live-in-katowice-review-by-robert-iannapollo</guid>
</item><item>
        <title>History of Jazz in Reverse - review by Robert Iannapollo</title>
        <description><![CDATA[ <p><strong>FAB Trio - "History of Jazz in Reverse"</strong></p>
<p>By Robert Iannapollo for New York City Jazz Record, No.117, January 2012</p>
<p>
Trio + 2 The Fonda/Stevens Group (Not Two)<br />
Restlessness (Live at The Sunset) The Nu Band (Marge)<br />
<strong>History of Jazz in Reverse FAB Trio (TUM)</strong>
</p>
<p ]]></description>
        <pubDate>Wed, 07 Nov 2012 18:08:20 -0500</pubDate>
        <guid isPermaLink="false">http://www.joefonda.com/history-of-jazz-in-reverse-review-by-robert-iannapollo</guid>
</item><item>
        <title>From Seeds - review by Richard Kamins</title>
        <description><![CDATA[ <p>Richard Kamins for Hartford Courant, published May 18, 2009</p>
<p>
There's much to enjoy in this 56-minute program. If you're a fan of the Trio's splendid interplay, that's here. If you have been impressed with the guitarist's mature and intelligent compositions, here are 6 more.</p> ]]></description>
        <pubDate>Wed, 07 Nov 2012 17:07:39 -0500</pubDate>
        <guid isPermaLink="false">http://www.joefonda.com/from-seeds-review-by-richard-kamins</guid>
</item><item>
        <title>Between Shadow and Light - review by Vincenzo Roggero</title>
        <description><![CDATA[ <p>Vincenzo Roggero for All About Jazz Italia<br />Published May 2, 2012</p>
<p>
Between Shadow and Light &egrave; disco che si colloca in una sorta di terra di nessuno, zona franca musicale dai contorni indefiniti, tra luci e ombre per l'appunto, tra improvvisazione e atmosfere cameristiche, tra sottigliezze timbriche e raffi</p> ]]></description>
        <pubDate>Wed, 07 Nov 2012 16:33:00 -0500</pubDate>
        <guid isPermaLink="false">http://www.joefonda.com/between-shadow-and-light-review-by-vincenzo-roggero</guid>
</item><item>
        <title>What About...? - review by Vincenzo Roggero</title>
        <description><![CDATA[ <p>Vincenzo Roggero for All About Jazz Italia<br />published May 23, 2010</p>
<p>
Conference Call &egrave; un quartetto composto da musicisti che negli ultimi vent'anni hanno attraversato in lungo e in largo svariati territori della musica improvvisata.</p> ]]></description>
        <pubDate>Wed, 07 Nov 2012 16:22:40 -0500</pubDate>
        <guid isPermaLink="false">http://www.joefonda.com/what-about...-review-by-vincenzo-roggero</guid>
</item><item>
        <title>Dachau - review by Vincenzo Roggero</title>
        <description><![CDATA[ <p>Vincenzo Roggero for All About Jazz Italia</p>
<p>
Registrato qualche tempo dopo la visita alla tristemente nota cittadina tedesca, Dachau risulta uno dei piu' convincenti lavori nella variegata produzione artistica di Michael Musillami, chitarrista e compositore californiano molto attivo sulla scena della costa orientale e</p> ]]></description>
        <pubDate>Wed, 07 Nov 2012 16:14:17 -0500</pubDate>
        <guid isPermaLink="false">http://www.joefonda.com/dachau-review-by-vincenzo-roggero</guid>
</item><item>
        <title>The Story, So Far - review by Steve Koenig</title>
        <description><![CDATA[ <p>Steve Koenig for Acoustic Levitation</p>
<p>
Katie Bull couldn't have picked a better crew of musicians to support her work, among them pianists Frank Kimbrough and Michael Jefry Stevens, bassist Joe Fonda, drummers Matt Wilson and Harvey Sorgen, each beloved by jazzfolk. The Story So Far is a frolic.</p> ]]></description>
        <pubDate>Wed, 07 Nov 2012 16:02:10 -0500</pubDate>
        <guid isPermaLink="false">http://www.joefonda.com/the-story-so-far-review-by-steve-koenig</guid>
</item><item>
        <title>Between Shadow and Light - review by Ssirus W. Pakzad</title>
        <description><![CDATA[ <p>Ssirus W. Pakzad for Jazzthing<br />Published in Jazzthing issue 94</p>
<p>
Drei musikalische Pers&ouml;nlichkeiten mit ganz unterschiedlichen Mentalit&auml;ten brauchten auf diesem Album nur ganz wenige notierte Vorgaben, um in jedem St&uuml;ck eine Atmosph&auml;re zu schaffen, die nachwirkt.</p> ]]></description>
        <pubDate>Wed, 07 Nov 2012 15:52:11 -0500</pubDate>
        <guid isPermaLink="false">http://www.joefonda.com/between-shadow-and-light-review-by-ssirus-w.-pakzad</guid>
</item><item>
        <title>History of Jazz in Reverse - review by Rotcod Zzaj</title>
        <description><![CDATA[ <p><strong>FAB Trio - "History of Jazz in Reverse"</strong></p>
<p>Review by Rotcod Zzaj for IMPROVIJAZZATION NATION magazine
<br />Published in issue 119</p>
<p>
What you&rsquo;ll hear on this gathering of 3 legends in the jazz improv community (Billy Bang on violin, Joe Fonda on double bass &amp; Barry Altschul on drums) i</p> ]]></description>
        <pubDate>Wed, 07 Nov 2012 15:44:10 -0500</pubDate>
        <guid isPermaLink="false">http://www.joefonda.com/history-of-jazz-in-reverse-review-by-rotcod-zzaj</guid>
</item><item>
        <title>Memphis - review by Roberto Paviglianiti</title>
        <description><![CDATA[ <p>Roberto Paviglianiti for All About Jazz Italia, published May 26, 2009</p>
<p>
Artisticamente insieme da pi&ugrave; di un ventennio, il bassista Joe Fonda e il pianista Michael Stevens danno alle stampe Memphis, un album che richiede una buona dose d'attenzione, viste le diverse soluzioni compositive intraprese e le relativ</p> ]]></description>
        <pubDate>Wed, 07 Nov 2012 15:36:35 -0500</pubDate>
        <guid isPermaLink="false">http://www.joefonda.com/memphis-review-by-roberto-paviglianiti</guid>
</item><item>
        <title>Sex Queen of the Berlin Turnpike - review by Robert Ianoppollo</title>
        <description><![CDATA[ <p>Robert Ianoppollo for Cadence Magazine</p>
<p>
I&rsquo;ve been to too many concerts where the opening act consists of a mediocre poet back by &ldquo;jazz&rdquo; group. Too often the music and the poetry seem at loggerheads, having little relation to one another.</p> ]]></description>
        <pubDate>Wed, 07 Nov 2012 15:28:36 -0500</pubDate>
        <guid isPermaLink="false">http://www.joefonda.com/sex-queen-of-the-berlin-turnpike-review-by-robert-ianoppollo</guid>
</item><item>
        <title>Between Shadow and Light - review by Robert Iannapollo</title>
        <description><![CDATA[ <p>Robert Iannapollo for New York City Jazz Record<br />Published November 2012 (No.127)</p>
<p>
<em>Side Effects</em><br />
Trio Generations<br />
(ARC)<br />
<strong><em>Between Shadow and Light</em><br />
Bebelaar/Fonda/Joos<br />
(Double Moon)</strong></p>
<p>
Bassist-for-all-seasons Joe Fonda is always involved in </p> ]]></description>
        <pubDate>Wed, 07 Nov 2012 15:19:23 -0500</pubDate>
        <guid isPermaLink="false">http://www.joefonda.com/between-shadow-and-light-review-by-robert-iannapollo</guid>
</item><item>
        <title>Side Effects - review by Robert Iannapollo</title>
        <description><![CDATA[ <p>Robert Iannapollo for New York City Jazz Record<br />Published November 2012 (No.127)</p>
<p>
<strong><em>Side Effects</em><br />
Trio Generations<br />
(ARC)<br /></strong>
<em>Between Shadow and Light</em><br />
Bebelaar/Fonda/Joos<br />
(Double Moon)</p>
<p>
Bassist-for-all-seasons Joe Fonda is always involved in </p> ]]></description>
        <pubDate>Wed, 07 Nov 2012 15:00:06 -0500</pubDate>
        <guid isPermaLink="false">http://www.joefonda.com/side-effects-review-by-robert-iannapollo</guid>
</item><item>
        <title>The Story, So Far - review by Rich McCracken II</title>
        <description><![CDATA[ <p>Rich McCracken II for Metro Spirit</p>
<p>
<strong>"The Story So Far" offers improvisational jazz from a unique vocalist.</strong>
</p>
<p>
Katie Bull can be best described as an improvisational artist and actress. This is what my perception was on compiling the information on this unique vocalist.</p> ]]></description>
        <pubDate>Wed, 07 Nov 2012 14:51:19 -0500</pubDate>
        <guid isPermaLink="false">http://www.joefonda.com/the-story-so-far-review-by-rich-mccracken-ii</guid>
</item><item>
        <title>History of Jazz in Reverse - review by Raul d&#039;Gama Rose</title>
        <description><![CDATA[ <p><strong>FAB Trio - "History of Jazz in Reverse"</strong></p>
<p>By Raul d'Gama Rose for All About Jazz, published March 15, 2012</p>
<p>
<strong>This music swings &mdash; not only in the rhythmic sense &mdash; but in a broader, more stylistic sense, cutting a wide swathe that is somewehere between romanticism and abstract </strong></p> ]]></description>
        <pubDate>Wed, 07 Nov 2012 14:37:55 -0500</pubDate>
        <guid isPermaLink="false">http://www.joefonda.com/history-of-jazz-in-reverse-review-by-raul-dgama-rose</guid>
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